Bettina Klein, Kwasi Ohene-Ayeh, Kunsthalle Osnabrück (eds.), 2024, TRANSFER(S), DISTANZ, Berlin. 

Ohene-Ayeh, K., Haizel., K. Ankrah P.N.O., Kudjie, S., (eds) 2023, From the void came gifts of the cosmos: a reader [35th Ljubljana Biennale of Graphic Arts Biennale reader], International Centre of Graphic Arts, Ljubljana, ISBN 978-961-7197-09-9.

Kwasi Ohene-Ayeh. 2024. ‘Reflections on the Pedagogical Form and Curatorial Authority: On Bisi Silva and k?rî’k?chä seid’?u.’ In On Place-Based Artist Pedagogies. Nana Ama Bentsi-Enchill & Daniel Pelz (eds.). Àsìkò Art School and the Nordic/Baltic Studio for Continued Engagement, pp. 152-175. 

?ukasz Stanek and Kwasi Ohene-Ayeh, ‘Land Imaginaries’, e-flux Architecture, March 2024, https://www.e-flux.com/architecture/the-gift/589574/land-imaginaries/

Ohene-Ayeh, K., Haizel., K. Ankrah P.N.O., Kudjie, S., (eds) 2023, From the void came gifts of the cosmos: a reader [35th Ljubljana Biennale of Graphic Arts Biennale reader], International Centre of Graphic Arts, Ljubljana, ISBN 978-961-7197-09-9.

Ndikung, BSB, Lepoultier, A S, Harmel, A, Ohene-Ayeh, K (eds.) 2019, Streams of Consciousness: A Concatenation of Dividuals [catalog], Archive Books & Editions Balani’s, Berlin.

Kwasi Ohene-Ayeh. 2024. ‘Reflections on the Pedagogical Form and Curatorial Authority: On Bisi Silva and k?rî’k?chä seid’?u.’ In On Place-Based Artist Pedagogies. Nana Ama Bentsi-Enchill & Daniel Pelz (eds.). Àsìkò Art School and the Nordic/Baltic Studio for Continued Engagement, pp. 152-175. 

?ukasz Stanek and Kwasi Ohene-Ayeh, ‘Land Imaginaries’, e-flux Architecture, March 2024, https://www.e-flux.com/architecture/the-gift/589574/land-imaginaries/

Kwasi Ohene-Ayeh, 'Not Knowing', Art Review, Vol 75, No.2, March 2023, pp. 42 -44 (ISSN 1745-9303)

Ohene-Ayeh, K. 2022. ‘The Artist as Historical Materialist: Kelvin Haizel Exposing the Photographic Real’. In Archiv der Erfahrungen. Kazungu, Martha & Schimmeroth, Gabriel (eds). Museum am Rothenbaum - World Cultures and Arts 2022 and Authors. Pp 68-77

Ohene-Ayeh, K. (2022). Reading Al Hassan Issah’s Radicant Formalism: Exhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022). Ghana Studies 25, 215-222.

Ohene-Ayeh, K. 2022. Emmanuel Owusu Dartey: 1927-2018. African Modernism, exh. cat. American Federation of Arts. p. 112.

Ohene-Ayeh, K. 2021. ‘Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic Objects’ (extra sheet: Accra, 2021, pp. I-IV), in Wolfgang Tillmans: Fragile, exh. cat. Institut für Auslandsbeziehungen e.V. (ifa), Stuttgart, Germany, 2018.

Akoi-Jackson, B, Mahama, I, Ohene-Ayeh, K, Thompson, NKT, and seid’ou, k 2021, ‘Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration: A Five-Way Conversation’, African Arts, 54(2), p12-21. 

Bodjawah, E, Kissiedu, B.K, Ampratwum, G, Ohene-Ayeh, K, Amenuke, D, Adashie, M, Mahama, I, Kisser, A, McTernan, B, Akoi-Jackson, B, Owusu-Ankomah, K, Kujie, S, Riskin, R, Thompson, N.K.T 2021, ‘Transforming Art from Commodity to Gift: ka?rî’ka?chä seid’ou’s Silent Revolution in the Kumasi College of Art’, African Arts, 54(2), p22-35.

seid’ou, k, Ampratwum, G, Kissiedu B.K, Bodjawah, E, Akoi-Jackson, B. Ohene-Ayeh, K, Riskin, R, Ankrah, P.N.O, Tetteh-Ocloo, M, Kudjie, S, Kisser, A, Owusu- Ankomah, K, Gyabeng, F, Adashie, M, Haizel K, 2021, ‘Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter’, African Arts, 54(2), p36-51.