Akoi-Jackson, B. (2019). Of Blind Spots and Chasing Shadows in Ndikung, S. B. B. with Ohene-Ayeh, K. Harmel, A. Lepoultier, A. S, (2020) “Streams of Consciousness A Concatenation of Dividuals”. Catalogue of the 12^th edition of the Bamako Encounters, African Biennial of Photography. November 30, 2019 – January 31, 2020.  Archive Books, Berlin. www.archivebooks.org

Akoi-Jackson, B. (2019). First and Foremost, Acknowledgements and dedications in Stellenbosch Triennale (2020) Catalogue of the 1^st Stellenbosch Triennale 11 February -30 April 2020. Tomorrow There would be More of Us. Tip Africa Publishing (Pty) Ltd. South Africa. www.tipafrica.co.za

Akoi-Jackson, B. (2019). On the CUSP: A Case for Sustainability and a Leap into Vast Futures... in Stellenbosch Triennale (2020) Catalogue of the 1^st Stellenbosch Triennale 11 February -30 April 2020. Tomorrow There would be More of Us. Tip Africa Publishing (Pty) Ltd. South Africa. www.tipafrica.co.za

Akoi-Jackson, B. Mbongwa, K. Ntombela, N. (2019) Tomorrow there will be more of us: 2020 Curatorial Statement in Obsidian: Literature & Arts in the African Diaspora. Journal Edition 45.2 (2020). Department of English. Illinois State University. USA. ISSN 0888-4412 ISBN 978-0-9974041-6-6.

Bernard Akoi-Jackson, Ibrahim Mahama, Kwasi Ohene-Ayeh, Tracy Naa Koshie Thompson, and ka?rî’ka?chä seid’ou (2021). Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration. A Five-Way Conversation. African Arts Journal, Summer 2021. Vol. 54. No: 2. The James Coleman African Studies Centre, UCLA International Institute. http://www.mitpressjournals.org/afar

Edwin Bodjawah, Kwaku Boafo Kissiedu (Castro), George Ampratwum (Buma), Kwasi Ohene-Ayeh, Dorothy Akpene Amenuke, Michael Adashie, Ibrahim Mahama, Adjo Kisser, Billie McTernan, Bernard Akoi-Jackson, Kezia Owusu-Ankomah, Selom Kudjie, Robin Riskin, Tracy Naa Koshie

Thompson (2021). Transforming Art from Commodity to Gift ka?rî’ka?chä seid’ou’s Silent Revolution in the Kumasi College of Art. African Arts Journal, Summer 2021. Vol. 54. No: 2. The James Coleman African Studies Centre, UCLA International Institute. http://www.mitpressjournals.org/afar

ka?rî’ka?chä seid’ou, George Ampratwum (Buma), Kwaku Boafo Kissiedu (Castro), Edwin Bodjawah, Bernard Akoi-Jackson, Kwasi Ohene-Ayeh, Robin Riskin, Patrick Nii Okanta Ankrah, Mavis Tetteh-Ocloo, Selom Kudjie, Adjo Kisser, Kezia Owusu-Ankomah, Frank Gyabeng, Michael Adashie, Kelvin Haizel (2021). Exposing Something to Someone While Exposing Someone to Something blaxTARLINES Exhibition Cultures There-Then-And-Hereafter. African Arts Journal, Summer 2021. Vol. 54. No: 2. The James Coleman African Studies Centre, UCLA International Institute. http://www.mitpressjournals.org/afar

Dorothy Akpene Amenuke and Bernard Akoi-Jackson in conversational dialogue (2021). Back-and-Forth: Cutting Our Coats According to Some Cloths and Other Smaller Things … African Arts Journal, Summer 2021. Vol. 54. No: 2. The James Coleman African Studies Centre, UCLA International Institute. http://www.mitpressjournals.org/afar

Ama de-Graft Aikins, Bernard Akoi-Jackson. (2021). Colonial Virus": COVID-19, creative arts and public health communication in Ghana. Ghana Med J. 2020 Dec;54(4 Suppl):86-96. doi: 10.4314/gmj.v54i4s.13. Colonial Virus": COVID-19, creative arts and public health communication in Ghana - PubMed (nih.gov)