Jounal Articles 

1. Asante, E. A. & Opoku-Asare N. A. (2011). Cultural identity in the murals of Sirigu women and their role in Art education and social sustainability. International Journal of Education Through Art.7:2, (2011) pp187-202 

2. Holman K. M. and Asante E. A. (October, 2012). Evaluation of operational glassblowing units in Ghana. International Research Journal of Musicology and Drama Vol. 1(1) pp. 8-15.

      3. Kquofi, S., Olowonirejuaro, A. and Asante, E. A. (June 2013). Panoply of selected Asante and Ijaw cultural                   practices: Comparative and descriptive study. African Journal of History and Culture 5(4), pp. 78-86, June, 2013

4. E. A. Asante, A.E. Asmah, J. Adjei (August 2013). Art in Funeral Ceremonies, an Indigenous Cultural Identity of Asantes. International Journal of Humanities and Social Science Vol. 3 No. 16 [Special Issue – August 2013]

5. Ansong, K. D., Asante, E. A., & Kquofi, S. K. (2014). Eulogising God in Christian Worship through Akan Traditional Appellations: A Case of Kumasi. Advances in Social Sciences Research Journal, 1(8), 126-135

6. Asante, E. A., Opoku-Asare N. A. and Wemegah R. (2015), ‘Indigenous Pottery at Sirigu: Dialogue on Materials, Methods and Socio-Cultural Significance’. Craft Research 6:1, pp. 31-56, doi; 10.1386/crre.6.1.31_1

7. Arthur, N. A. P., Asante, E. A. and Opoku-Asare, N. A (2015), ‘The educational role of performing and visual arts in Asante traditional politics’. International Journal of Education through Art 11: 1, pp. 117–135, doi: 10.1386/eta.11.1.117_1

8. Asante, E. A., Kquofi, S. and Stephen L. (2015), The symbolic significance of motifs on selected Asante religious temples. Journal of Aesthetics & Culture, Vol. 7, 2015

9. Adjei, K., Asante A.E. and Adu-Gyamfi V.E. (2015). Life, Death and Eternity: The Role of Pottery in Some Cultural Practices among the Akans of Ghana. Online International Journal of Arts and Humanities, 4 (4): 55-61.

      10. Asmah, E. K., Asante A.E. and Okpattah V. (2015). Technology Adaptation and Its Effect on Asante Traditional           Textiles. International Journal of Innovative Research & Development, 4 (11): 105-112.

      11. Asante A.E, and Adjei, K. (2015). Historical Discourse of Selected Fante Asafo Flags And Public Sculptures                  From Winneba and Mankessim. Critical Interventions 9, Issue 3 2015 © 2015 Critical Interventions: Journal of              African Art History and Visual Culture

      12. Yeboah, R., Asante A.E. and Opoku-Asare, N. A. (2016). Teaching Interactive Art Lessons with Recycled                     Waste Materials as Instructional Resources. Journal of Education and Practice, ISSN 2222-1735 (Paper) ISSN                2222-288X (Online), Vol.7, No.14, 2016

      13. Ebeheakey A. K., Asante A.E., and Fening P. A. (2016). Body Marking As Identification among the Dangmes in            Ghana. Journal of Philosophy, Culture and Religion. ISSN 2422-8443 An International Peer-reviewed, Vol.19,               2016.

      14. Fening, P. A. F., Baah, K. S. and Asante, E. A (2016). Preservation and Enculturation of the Metal Smithing                  Industry in Ghana: The Case of Traditional Brass Casting in ‘Krofrom’ Village. The International Journal of                    Humanities & Social Studies (ISSN 2321 - 9203)

      15. Adom, D., Asante, E. A and Kquofi, S (2016). Adinkra: An Epitome of Asante Philosophy and History.                         Research on Humanities and Social Sciences ISSN (Paper) 2224-5766 ISSN (Online)2225-0484 (Online) Vol.6,             No.14, 2016

      16. Adom, D., Kquofi, S and Asante, E. A (2016). The High Impacts of Asante Indigenous Knowledge in                            Biodiversity Conservation Issues in Ghana: The Case of Abono and Essumeja Townships in Ashanti Region.                  British Journal of Environmental Sciences Vol.4, No.3, pp.63-78.